Unpopularanddown-on-her-luck,Margeisalreadyhavingatoughtimenavigatingtheminefieldthatishersuburbanhighschool.ButMarge’slifeiscompletelyupendedwhenherbelovedmotherandonlychampion(Greer)diesinatragicaccident.Withnowhereelsetoturnexceptherultra-conservativegrandparents,Margedecidesinsteadtohuntdownherestrangedfather(Zahn),aformersoccerstarlivinginruralMexicoasabeachbumandcoachtothelocalwomen’steam.Neitherisreadyforsuchabigchange,butthebestshottheyhaveatfixingtheirpastandmovingforwardistogether. Aprofessorfindshisdreamofowningahomeunreachable,untilaonce-in-a-lifetimeopportunitycomeshisway.Alonelywidowoffersuphersprawlingestateforpennies,buthesoonlearnsthedealistoogoodtobetrue. 这部电影的灵感来自苏珊·奥尔林在《纽约客》上发表的同名文章。这是一个13岁女孩凯特琳的故事：她因父母即将离婚、她将失去家庭而伤心不已，这份悲痛使她被赛鸽吸引。她希望能够通过偷来一只贵重的鸟以解决家庭经济问题，但她却与鸟主人成为了朋友，并逐渐建立起对这项运动的热爱。 TheThundermansReturnfollowstwinsPhoebeandMaxwhoareenjoyingtheirsuperherolifestyleinanewcity,butwhenone‘save’goesawry,theThundermansaresentbacktoHiddenville.WhileHankandBarbenjoytheirreturn,Chloedevelopsanewfriendgroup,andBillyandNorabeginanormalhighschoollife,MaxandPhoebearedeterminedtoregaintheirsuperherostatus.Themoviefeaturesthereturnofshowfavorites,includingfamiliarlocations,andnewmenacingsupervillains. TwobrothershavetofacetheChinesemafiathreegenerationsrevenge.Thiscursehasalreadyreapedthelifeoftheirgrandfatherandfather.CountingonTheSmokeMastertheystandachance 在未来的某个年代，人们的思维已经被政府机构控制，政府机构通过电视信号传输一种催眠电波控制人们的行动。但是一些不甘心被强权统治的人们研究出一种眼镜，戴上这种眼镜，电视节目里道貌岸然的官员就会现出骷髅般的原形…… 13岁的玛莎（Masha）在拳击台和街头之间长大。杀死和抢劫的人是她的朋友。在90年代，整个城市都讨厌他们，但对于玛莎来说，他们是世界上最爱并保护她的人。她为他们唱爵士乐，梦想成为歌手。有一天，玛莎发现了他们的真实身份，他们对她的生活和家庭所做的一切。成熟后，她离开了一个前往莫斯科的小镇，试图摆脱过去。但这仍然会赶上她，而玛莎必须回到她度过童年的地方。 DirectorSamuelCollardeyScreenwriterSamuelCollardeyCatherinePailléProducerGrégoireDebaillyPrincipalCastAndersHvidegaardAsserBoassenJuliusB.NielsenTobiasIgnatiussenThomasineJonathansenGertJonathansenSECTIONWorldDocCOUNTRYFranceRUNTIME95minLANGUAGEDanish/InuitSUBTITLESYeswithEnglishsubtitlesCOMPANYKINOLOGYEMAILgmelin@kinology.euPHONE+33687510396Althoughhe’swarnedtoexpectboredomandbittercold,Anders,ayoungDanishprimaryschoolteacher,acceptsapostinTiniteqiilaq,aremotevillageof80inhabitantsinGreenland.Arrivingwithcertainpreconceptions—the“Danishlook”asonevillagercallsit—Anderscontendswithculturaldifferencesandanunrulyclassroom,tosaynothingofthesnow.Wonderingwhatittakestobeacceptedinthis“hellhole,”he’sadvisedtotrylearningthelanguageandlocalways—hunting,sledding,fishing.Howhardcanitbe,hefigures,torideasled?FrenchfilmmakerSamuelCollardeyoftenexplorestheblurryterrainbetweenfictionanddocumentary.Meticulouslyconstructed,APolarYearblendspurelydocumentarysequenceswithscriptedmomentsinvolvingthevillagers.Butthesedistinctionsbecomeacademicasyougiveyourselfovertocinemathat’sthoroughlyabsorbingandvisuallybreathtaking.CollardeyspentmonthsinthevillagebeforelearningofAnders’sassignmentandstartingtofilm.His“reverseassimilation”storyreflectsdelightfullyonEurocentrismaswellasonTiniteqiilaq’sindigenouspeople,changingseasons,andrhythmsoflifeanddeath. 1858年，在博洛尼亚的犹太区，教皇的士兵闯入了莫塔拉家，按照枢机主教的命令，他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼，教皇法律是不容置疑的：他必须接受天主教教育。莫塔拉的父母心痛万分，他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论的支持下，莫塔拉家的斗争很快就带上了政治色彩。但是，教会和教皇不会同意归还这个孩子，因为这有助于巩固越来越动摇的权力…… UpdatedversionoftheAgathaChristiebook"AndThenThereWereNone.Inthisversion,thegroupisinvited,underfalsepretenses,toanisolatedhotelintheIraniandesert.Afterdinner,acassettetape(voicedbythelegendaryOrsonWelles)accusesthemallofcrimesthattheyhavegottenawaywith.Onebyonetheybegintodie,inaccordancetotheTenLittleIndiansNurseryrhyme.Afterasearchismadeofthehotel,theyrealizethatthemurdererisoneofthem.Afewmembersofthegroupattempttotrusteachother,butthequestionstillremains,whocanonetrust?andwhowillleavethehotelalive? Acomedyaboutsexualityfromanentirelyfemaleperspective. JasminetakeshernewfounddoggyfriendHappyonalongjourneytohersickgrandmotherinBaguio.Thetwowalkanincredibledistance,faceallkindsofchallenges,runintomanystrangersandhelpthemalongtheway.Hergrandmotherhadbeenillonceandthenadoghelpedhertorecover-maybethistimeHappytheone. ThesketchesanddrawingsoficonicdesignerYvesSaintLaurentcometolifeinthisdocumentary.Pastcolleaguesandfriendsdiscusshislifeandworkwhileporingoversomeofthethousandsofsketchesthedesignercreatedinhislifetime. 曾以《坏小子，安啦！》代表意大利角逐奥斯卡的影坛新星乔纳斯卡皮那诺，赢得戛纳影展导演双周大奖的新作《致琪亚拉》，延续前作由同一家族素人演员参与演出的特色，描述情感紧密的温馨家庭，妹妹在姊姊的生日派对上目睹一场汽车爆炸案，父亲从此音讯全无，妹妹决定调查事件真相，却揭开大人们急欲隐藏的秘密。演员将台下真实的家庭情谊搬演至银幕前，既真切自然又浓烈。写实影像中交错的晃动与失衡，也映照着青春的躁动不安。 当厄勒克特拉试图回忆她的10岁生日时，她陷入了一个光怪陆离的幻想世界之中。那里充满了怪异赤裸的娃娃和断残的塑料肢体，不时还会出现喷溅的草莓和牙科器械。她渐渐与自己作为女性的身体建立起了联系，而这个过程充满了迷茫与恐惧。 
