Almostinbreadthanddepthofadocumentary,thismoviedepictsanautoraceduringthe70sontheworld’shardestendurancecourse:LeMansinFrance.Theracegoesover24hourson14.5kilometersofcordonedcountryroad.Everyfewhoursthetwodriverspercaralternate-butit’sstillachallengeforconcentrationandmaterial.InthefocusistheduelbetweentheGermanStahlerinFerrari512LMandtheAmericanDelaneyinGulfTeamPorsche917.Delaneyisunderextraordinarypressure,becausetheyearbeforehecausedasevereaccident,inwhichhisfriendLisa’shusbandwaskilled. 1954年的英国电影《轰炸鲁尔水坝记》 (The Dam Busters)，这部电影几乎以纪录片的形式记录了第二次世界大战中1943年5月16日晚上英国皇家空军执行的“惩戒行动”。 This film, details the Allied efforts to target German dams during World War Two. In very methodical, but also enthusiastic fashion, they figured out what plane, what bomb, what angle, what altitude, etc., were necessary to inflict maximum damage to the dams, while minimizing losses to the planes. The answer they came up with, sounds absurd, but it worked: very large, cylindrical bombs rotating backwards at a high rate of speed, causing them, when dropped, to skip along the sureface of the water, right up to the base of the dam. 要炸掉水坝，可不是容易的事情，电影详细介绍了炸弹设计者的设计过程，以及英国军方采纳这个计划的过程(因为乍听起来实在像是天方夜谭)，这个片子看起来决不乏味，甚至是相当令人激动地。该片获第28届奥斯卡最佳效果奖提名及第9届英国电影学院最佳电影，最佳英国电影和最佳编剧3项提名。 位于某小镇的科萨高中，一场舞会开幕在即，校园内的时尚男女精细准备，渴望一个梦幻浪漫的夜晚。几个学校内公认为怪胎的科幻俱乐部成员夜探公墓，却无意中唤醒沉睡地下的恐怖僵尸。一时间，活死人纷纷爬上地面，小镇的夜晚充满恐怖和死亡的气息。不久，僵尸的病毒蔓延至学校，舞会被杀戮所取代。 吉米·邓恩（杰拉德·科斯尼茨 Jared Kusnitz 饰）是科萨高中的学生，由于上课捣乱他的约会被老师搞黄。正在沮丧之际，却发现整个小镇已变了天地。万般无奈之下，他和凯尔·格鲁宾（贾斯汀·威尔伯 Justin Welborn 饰）等一众“坏孩子”联合起来，展开拯救小镇的行动…… Mackenzie Crook and Johnny Vegas star as the bird-chasing, self-proclaimed "Butch Cassidy and the Sundance Kid" of Birmingham in this £3 million brit-com about two lowlifes with active fantasy sex lives who deliver potatoes to various restaurants and grocers. Ben & Annie are a young couple on a weekend trip to Annie's small North Carolina hometown who, after meeting a charming old friend, embark on an impromptu 'Bigfoot hunt' that threatens both their relationship and their lives. 偏远的巴克莱小镇是一个宁静祥和的所在，当地居民友爱和善，四处洋溢着幸福和快乐。蕾妮•卓别林（Felicity Mason 饰）是镇上一个美丽的女孩，不久前她刚刚继承长辈的遗产和农场，然而福祸双至，由于家族遗留的债务问题，刚刚到手的财产以及自幼生长的农场全被银行夺去。伤心的蕾妮决定和男友远离家乡，去到另一个城市生活。 就在他们离开之际，天空突然坠下无数剧烈燃烧的陨石。不断有人被陨石击中，但随后他们便从地上爬起，变成了残暴无情、嗜血如命的活死人。蕾妮的男友也不例外，眼看要被男友杀死的蕾妮，关键时刻得到农夫马瑞恩（Mungo McKay 饰）的救助。她和其他几位幸存者必须想尽办法，逃出这个已被感染的死亡小镇…… 本剧改编自HarlanCoben在2012年出版的同名《纽约时报》畅销小说。Coben将和领头编剧DannyBrocklehurst,及RichardFee共同负责8集剧本,DanielO’Hara担任领头导演。这是Netflix和HarlanCoben的5年14本书超级合约下进行的第5个项目。跟随之前的合作项目,本剧将设定在英国。故事聚焦三个生活安好的人,每个人都有不可告人的秘密,而身边最亲近的人都不会对此产生怀疑。Megan(Jumbo),一名有三个孩子的职业母亲；Ray(Armitage),曾经未来光明的纪录片摄影师,如今干着一份没有前途的工作,迎合那些痴迷明星的有钱人家孩子；Broome(Nesbitt),一名侦探,放不下一桩失踪人口悬案。Lorraine(Parish),来自Megan过去的一位老朋友,带来了一些惊人的... 斯蒂尔是个潇洒，智慧而且浪漫的侦探。这位神秘的侦探总是和他的助手劳拉在不经意的情况下侦破了一件又一件的案子。而事实上，侦探社的真正操盘手正是劳拉。因为人们总是不不够信任一个女侦探，因为，看起来实在太柔弱了。于是劳拉制造了一个老板，侦探社开始接受一个一个的案子，而随着两人联手侦破案子的同时，感情的羁绊也渐渐加深。 苏格兰女警重新审理1995年的谋杀案。凯伦看起来就是一位平常、也不够时髦的年轻女性。她不是一个圆滑或特立独行的警察，但她的敏捷和机智令人印象深刻。25年前，十几岁的酒吧女招待罗西·达夫被刺死，三名醉酒的学生发现了她的尸体。但尽管警方怀疑，这些男孩从未受到指控。因近期一个爆火的博客提到了这起案件，凯伦被警方任命重启对这起谋杀案的调查。凯伦决心揭开那起案件隐藏一切，但这么多年过去了，现在的调查能比以前知道的更多吗？ ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout. 年轻有为的兽医埃里•鲁库斯（VincentVentresca饰）继承了父亲的D.V.M兽医科研所，某天，他受邀前往密苏里州的霍斯特农场问诊。农场中的牛群近期感染奇怪的寄生虫接连死亡，埃里在观察期间偶然发现，这种前所未闻的寄生虫竟会在吸血后变得体形巨大。原来，当地的牛肉批发商弗莱切•奥德麦特（DavidSelby饰）为利益驱使，违规向农民发放尚处在试验期的促成肉牛发育的药物。埃里一面将样本寄给农业部的朋友化验，以免展开秘密调查。在一次牛肉推广会上，一名男子不慎落水，并受到寄生虫攻击。埃里发现，这种危险的寄生虫不仅会对肉牛造成危害，更会严重威胁人类的生命。当他意识到这点时，为时已晚…… BasedonthenovelbyToddRigney,"Found"centersaroundMarty,ashy,bulliedfifth-graderwhotakesrefugeinhorrorfilms...untilhislifeturnsintoone.Afterfindingahumanheadinhisbrother’scloset,MartyfearsforthesafetyofhisfamilywhilemakingadesperateefforttoreconnectwithSteve,thebigbrotherwhosehomicidalcravingsthreatentodestroylifeasMartyknowsit 在今年早些时候的多伦多国际电影节上，《Maiden》以其充满力量和毅力的非凡故事让观众们感到兴奋。通过大量的档案录像和深入的个人采访，这个令人叹为观止的纪录片组成了一个充满悬念、辛酸和振奋的旅程，表明了人类精神的持久顽强。在20世纪80年代后期，英国业余水手特蕾西·爱德华兹认定，她已经受够了被解雇的煎熬，并被贬低为她所参加的航海队中唯一的女性。特蕾西将目光投向即将到来的惠特贝克环球赛事，这是一次令人震惊的4万海里的环球航行，几乎没有船敢阻拦。特蕾西召集了世界上第一批国际全女帆船队并参加了比赛。由于她们不仅经受住了危及生命的公海，而且经受住了媒体中性别歧视的风暴，这群鼓舞人心的妇女不得不依靠她们自己和彼此的纯弹性来证明反对者和怀疑者是错误的。然而，他们没有完全预料到的是，他们的远征将如何不仅仅意味着一场到达终点线的比赛。 机械工程师巴瑞（JayGallagher饰）原本和妻子安妮（CatherineTerracini饰）、女儿梅根（MeganneWest饰）过着快乐无忧的生活，但在一个不祥之夜，他们的人生发生了翻天覆地的巨变。沉睡中的巴瑞突然接到妹妹布鲁克（BiancaBradey饰）的电话，妹妹声称朋友们毫无征兆的情况下甚至错乱，变成了凶恶残暴、嗜血如命的恐怖丧尸。话音未落之际，巴瑞一家也遭到丧尸们的袭击。夜幕退去，曙光降临。布鲁克被两名全副武装的士兵解救，随后则被打晕带走。与此同时，逃难中的巴瑞则不得不面对妻子女儿尸变的悲惨一幕。途中他遇到了其他的幸存者，为了搭救被困的妹妹，巴瑞选择穿越丧尸群集的恐怖地带…… 
