故事讲述宇航员任务期间突发意外，伤病严重无法支撑返回地球治疗。情急之下，一名女外科医生临危受命，亲身飞赴空间站展开救援行动。时间有限，巨大的困难与挑战下，一场零重力下的极限救援即将上演！影片为人类首部太空实拍电影。 DarkSpellisastoryaboutthegirlnamedZhenyawhosuffersfrombeinginlovewithherhusbandthathaslefther,soshedecidestobringhimback.Desperateheroinecastsaspellcalled"BlackWedding",whichisamagicalritualknownforitsgreatpowerandirreversibility.Aftertheritual,herbelovedhusbandcomesback,althoughhislovebecomesmorelikeanobsession:heisevenreadytokillZhenya,soasnottogivehertoanyone.Whenthemaddenedhusbanddies,thespelldoesnotstop:becauseevendeathwillnotpartthosewhowerebetrothedbythedemonofblackwedding. 影片《夏伯阳》根据富尔曼诺夫的同名小说改编，前苏联列宁格勒电影制片厂1934年出品。 片中塑造了夏伯阳这位苏联国内战争中传奇式的英雄人物。该片是苏联电影史上的杰作，人物形象鲜明，语言性格化，片中“精神战”一场，堪称场面蒙太奇的典范。 影片荣获1941年斯大林奖金，在1978年评选的国际电影诞生以来100部最佳影片排行榜中，金榜题名。 夏伯阳是苏联国内战争时期传奇式的英雄人物。 这是在严酷的1919年红军同高尔察克白匪军作殊死战的战线上。一阵叮当的铃声，一架三套马车从广阔无垠的俄罗斯原野上飞驰而来。一群被白匪击溃的游击队员衣帽不整，狼狈地迎着马车跑来。马车冲进人群，一个目光锐利，像哥萨克那样歪戴着帽子的人敏捷地站起身来喝住人群。“站住，上哪儿去？”被驱赶得弃枪丢鞋的游击队员们，听到他们指挥员的喊声，马上停下。“来，跟我走！”随着一声令下，人们似乎振作起来，跟着马车往回冲去。车上的机枪吐出火舌，扫向敌村。敌人遭到不曾意料的反击，措手不及，一见马车上那勇士更是吓破了胆，纷纷弃甲而逃。游击队转败为胜，夺回村子。这个率领士兵冲锋陷阵的骁勇的指挥官，就是令敌人闻风丧胆的夏伯阳…… 后把英勇善战的将士说成是夏伯阳式的。 Detstvo Gorkogo (The Childhood of Maxim Gorky) - 1938 Directed by Mark Donskoy G. Shenotinnik A Review By Ollie The Childhood of Maxim Gorky, tells the story of Aleksei Peshkov a 12 year old boy, living in 19th Century Russia, who would later be known as Maxim Gorky, possibly Russia's most famous and celebrated novelist and dramatist. Made in 1938, the film is based on Gorky's autobiography `My Childhood', and is rich and powerful film which will capture your attention from the beginning. Naturally, being made in 1938, the film is in black and white, although the story is so colourful and vibrant, with characters so alive, you would be forgiven for thinking the film was made much later. It definitely does not feel almost 65 years old. Aleksei Lyarsky, who plays Gorky, is instantly likeable as the young protagonist. Capable of portraying emotions far beyond his years, he works superbly alongside a cast of commanding and believable proportion. There is an almost Dickensian feel to some of the characters. While desperately sad, and easy to sympathise with, the Grandfather has an ineffable quality, both humorous and self pitying. In stark contrast, Maxim's Grandmother is a simple woman, one of goodness and truth, representing all that is beautiful in the optimism of the poverty in which they live. This film is more than an autobiographical look at one person's life. It is a peek through the windows of a time long since passed, a history lesson and above all a lesson in life, love and friendship. This is probably the most definitive coming of age drama I have seen, with more authority and gravitas than Truffaut managed in the much acclaimed `400 Blows'. There are several scenes which stand out. From a simple act of kindness from Maxim, when he gives a crippled boy his pet mouse, to Gorky and his friends sitting around a fire dreaming of a Utopian Neverland; from his Grandfathers almost comedic reactions to their ever increasing poverty, to the tears of his Grandmother as he hands her a coin. This is a rich and immensely strong film, advanced well beyond it's years, which holds it's own exceptionally well nearly 65 years later. This film will leave an indelible mark on your memory, if only from the simplicity of the tale it tells. It is, without doubt, pure cinematic poetry. A piece of film history which everyone would do well to try and see -it will not disappoint. An extremely well earned 10/10! VelikyNovgorod,1987.Olgamakesastandagainstherteacher’sauthoritarianteachingmethods,Andreyispropagatingan‘anti-deathpill’inajamjarandKatyaobservesherfatherdistillingboozeillegallybehindcloseddoors.Thesethreeyoungschoolmatesareallmembersofthe‘VladimirIllyichLenin’YoungPioneerorganisationandarefullofchildlikevisionsofthefuture.Overtwenty-fiveyearson,allthreehavenowestablishedthemselvesprofessionallyinMoscow,andyettheyhavenotreallyfoundtheirbearingsinpresentdayRussia.Olgasuffersfrompanicattacks,Andreytriestofillhisinnervoidwithcomputergames,andKatyaispursuedbyunsettlingdreams.Movingpoeticallybetweenpastandpresent,NataliaKudryashovashowsthegulfbetweenthevisionsofyesteryearandtoday’srealitywhichthedissolutionoftheSovietUnionhasleftbehindforitsfinalgenerationofYoungPioneers.Impressivelydenseandatmosphericimagesdescribetheirattitudestowardslife.Derelictconcretebuildings,imposingandKafkaesque,giveshapetotheoppressiveshadowsoftheiroriginaldreamsthatnowthreatentoengulfthem.berlinale2015 
